Forsake
I feel like we got about halfway through building this track, and both RC and I had added a bunch before it got left behind.
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The Big Mystique
The bass line here was so awkward that when I asked RC to play it, he thought I was crazy. “Bill Berry felt the same way about that song on Green,” I told him, to which he responded “Bill Berry ended up not playing that drum part.” Touché. I think the working title was “The…
Look at the Bird
It all happened so quickly. This was the only phrase I remembered…
Trio
“Me, myself, and my microphone” sang Lee, basically just freestyling over the beat. We did a bit of editing and called it a track!
Bar of the Gods
During the year I was making a lot of this music, I also spent a lot of time at this bar. They also hosted my video show every month. So I wrote them a theme song. Like Cheers. Just like Cheers.
Electrick Eel
This song developed as it went, and gathered meaning in its abstract nature like a snowball rolling downhill. At an epic length of almost six minutes it was our longest track, it kept growing organically until some kind of bizarre feedback-drenched guitar solo came out the other end.
Sara Lee
Pitch for a theme song for Sara Lee Corporation, but the song was too “edgy” and was not actually “played” for them.
