No Apology
An early draft of a song that would later become Tellin a Lie. And get a lot better.
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Happy Valentine’s Day
The melody came from my discovery that I could randomly drop blocks onto the grid in a music app, quantize it and tweak it a bit, and it wouldn’t sound half bad. Featuring disposable drums at the mercy of a three-button mouse.
Tellin a Lie
Two dueling acoustic guitars, two vocals, computer-generated drums and bass… some of the vocals were regrettable but I didn’t save the multitrack, so I was never able to revisit it and give it the love it probably deserved. All the love came later. Favorite moment is the breakdown at around 1:15. Not sure where that…
Word Is Out
Driving guitar sound, and yeah you can tell I used to smoke. Part of a series of songs I wrote as a sort of romantic “concept album,” but, you know how those things go.
Run Away
Falsetto is almost unrecognizable in this track. A chipper Ray singing. Lyrics were taking me where they wanted, or to whomever they wanted, and in this case we ended up in a blind alleyway with a girl called Cindy.
See Me Thru
A mellow pearl, written under the influence of the Velvet Underground. Started playing around with the sample of myself playing guitar at different speeds, I got an effect I really liked. I later re-recorded this with a band.
Hero Ran
The inner dialogue of our conflicted protagonist. Another piece intended as part of a “concept album” which I had actually made a booklet and story to go along with, now lost. Recorded on the same day as Word Is Out.
